| 60 Minutes | |
|---|---|
| Format | Newsmagazine |
| Created by | Don Hewitt |
| Presented by | See Correspondents below |
| Country of origin | United States |
| No. of seasons | 43 (as of 2011) |
| Production | |
| Executive producer(s) | Jeff Fager |
| Running time | 42 minutes (plus commercials) |
| Production company(s) | CBS News Productions CBS Productions |
| Broadcast | |
| Original channel | CBS |
| Picture format | 480i (SDTV) 1080i (HDTV) |
| Original run | September 24, 1968 – present |
| External links | |
| Website | |
60 Minutes is an American television news magazine, which has run on CBS since 1968. The program was created by producer Don Hewitt who set it apart by using a unique style of reporter-centered investigation.
In 2002, 60 Minutes was ranked #6 on TV Guide's 50 Greatest TV Shows of All Time.[1]
Contents |
The inspiration for the show came from the controversial Canadian news program This Hour Has Seven Days, which ran from 1964 to 1966, and in turn, was inspired by the British satire series That Was The Week That Was. The show pioneered many of the most important investigative journalism techniques, including re-editing interviews, hidden cameras, and "gotcha" visits to the home or office of an investigative subject.[3] Imitators sprang up in Australia, Canada and the United Kingdom during the 1970s, as well as on local television news.[3]
Initially, 60 Minutes aired as a bi-weekly show hosted by Harry Reasoner and Mike Wallace, debuting on September 24, 1968 and alternating weeks with other CBS News productions on Tuesday evenings at 10:00. The first edition, described by Reasoner in the opening as a "kind of a magazine for television," featured the following segments:
The first "magazine-cover" chroma key was a photo of two helmeted policemen (for the Clark interview segment). Wallace and Reasoner sat in chairs on opposite sides of the set, which had a cream-colored backdrop; the more famous black backdrop (which is still used as of 2011) did not appear until the following year. The logo was in Helvetica type with the word "Minutes" spelled in all lower-case letters; the logo most associated with the show did not appear until about 1974. Further, to extend the magazine motif, the producers added a "Vol. xx, No. xx" to the title display on the chroma key; that was seen until about 1971. The trademark stopwatch, however, did not appear on the inaugural broadcast; it would not debut until several episodes later. Alpo dog food was the sole sponsor of the first program.[4][5]
Don Hewitt, who had been a producer of the CBS Evening News with Walter Cronkite, sought out Wallace as a stylistic contrast to Reasoner.[6] According to one historian of the show, the idea of the format was to make the hosts the reporters, to always feature stories that were of national importance but focused upon individuals involved with, or in conflict with, those issues, and to limit the reports' airtime to around thirteen minutes.[7] However, the initial season was troubled by lack of network confidence, as the show did not garner ratings much higher than that of other CBS News documentaries. As a rule, during that era, news programming during prime time lost money; networks mainly scheduled public affairs programs in prime time in order to bolster the prestige of their news departments, and thus boost ratings for the regular evening newscasts, which were seen by far more people than documentaries and the like. 60 Minutes struggled under that stigma during its first three years.
Changes to 60 Minutes came fairly early in the program's history. When Reasoner left CBS to co-anchor ABC's evening newscast (he would return to CBS and the show in 1978), Morley Safer joined the team in 1970, and he took over Reasoner's duties of reporting less aggressive stories. However, when Richard Nixon began targeting press access and reporting, even Safer, formerly the CBS News bureau head in Saigon and London, began to do "hard" investigative reports, and during the 1970–71 season alone 60 Minutes reported on cluster bombs, the South Vietnamese Army, draft dodgers, Nigeria, the Middle East, and Northern Ireland.[8]
In 1971, the "Point/Counterpoint" segment was introduced, featuring James J. Kilpatrick and Nicholas von Hoffman (later Shana Alexander), a three-minute debate between spokespeople for the political right and left, respectively. This segment pioneered a format that would later be adapted by CNN for its Crossfire show. This ran until 1979, when Andy Rooney, whose commentaries were already alternating with the debate segment since the fall of 1978, replaced it. Rooney remained with the program as a regular until his last show on October 2, 2011.
By 1971, the FCC introduced the Prime Time Access Rule, which freed local network affiliates in the top 50 markets (in practice, the entire network) to take a half hour of prime time from the networks on Mondays through Saturdays and one full hour on Sundays. Because nearly all affiliates found production costs for the FCC's intended goal of increased public affairs programming very high and the ratings (thus advertising revenues) low, making it mostly unprofitable, the FCC created an exception for network-authored news and public affairs. After a six-month hiatus in late 1971, CBS thus found a prime place for 60 Minutes in a portion of that displaced time, 6–7 p.m. (Eastern time; 5–6 Central) on Sundays, in January 1972.[8]
This proved somewhat less than satisfactory, however, because in order to accommodate CBS' telecasts of late afternoon National Football League games, 60 Minutes went on hiatus during the fall from 1972 to 1975 (and the summer of 1972). This took place because football telecasts were protected contractually from interruptions in the wake of the infamous "Heidi Game" incident on NBC in November 1968. Despite the irregular scheduling, the program's hard-hitting reports attracted a steadily growing audience, particularly during the waning days of the Vietnam War and the gripping events of the Watergate scandal; at that time, few if any other major-network news shows did in-depth investigative reporting to the degree carried out by 60 Minutes. Eventually, during the summers of 1973 through 1975, CBS did allow the show back onto the prime time schedule proper, on Fridays in 1973 and Sundays the two years thereafter, as a replacement for the regular season's program.
It was only when the FCC returned an hour to the networks on Sundays (for children's/family or news programming), taken away from them four years earlier, in a 1975 amendment to the Access Rule that CBS finally found a viable permanent timeslot for 60 Minutes. When a family-oriented drama, Three for the Road, ended after a 12-week run in the fall, the newsmagazine took its place at 7/6 p.m. on December 7. It has aired at that time since, for 36 years, making 60 Minutes not only the longest-running prime time program currently in production, but also the television program (excluding daily programs such as evening newscasts or breakfast shows) broadcasting for the longest length of time at a single time period each week in U.S. television history.
This move, and the addition of then-White House correspondent Dan Rather to the reporting team, made the program into a strong ratings hit and, eventually, a general cultural phenomenon. This was no less than a stunning reversal of the previously poor ratings performances of documentary programs on network television, as mentioned above. By 1976, 60 Minutes became the top-rated show on Sunday nights in the U.S. By 1979, it had achieved the number-one Nielsen rating for all television programs, unheard of before for a news broadcast in prime time. This success translated into great profits for CBS; advertising rates went from $17,000 per thirty seconds in 1975 to $175,000 in 1982.[9]
The program sometimes does not start until after 7 p.m., due largely to CBS's live broadcast of NFL games. At the conclusion of the game, the network will end its coverage right away and air 60 Minutes in its entirety (however, on the West Coast, because the actual end of the live games is much earlier in the afternoon in comparison to the Eastern and Central time zones, 60 Minutes is always able to start at its normal start time of 7 p.m. Pacific Time, leaving affiliates free to broadcast local news, the CBS Evening News, and other local or syndicated programming leading up to 60 Minutes). The program's success has also led CBS Sports to schedule the Masters Tournament, the NCAA Men's Basketball Tournament, and other events leading into 60 Minutes and the rest of the network's primetime lineup, thus (again, except on the West Coast) pre-empting the Sunday editions of the CBS Evening News and affiliates' local newscasts.
The program has rarely been pre-empted since about 1978. Two notable pre-emptions occurred in 1976 and 1977, to make room for the annual telecast of The Wizard of Oz, which had recently returned to CBS after having been shown on NBC for eight years. However, CBS would, in later years, schedule the film so that it would no longer pre-empt 60 Minutes. Another exception is anytime CBS airs the Super Bowl or since 2003, alternating years where the AFC Championship Game has the 6:30 PM start time, which is played into primetime and followed by a special lead-out program.
60 Minutes is also aired via CBS Radio on several of their radio stations at the same time as the television broadcast (in each station's own local market), such as WCBS in New York, KNX in Los Angeles, WBBM in Chicago, WWJ in Detroit, KCBS in San Francisco, and other stations across the country owned by CBS. An audio version of the full show without advertising is also distributed via podcast and the iTunes Store, beginning with the September 23, 2007 broadcast.[10] The program's video also streams several hours after broadcast on CBSNews.com and CBS Interactive property CNET TV.
| Season | Time slot |
|---|---|
| 1968–1969 | Tuesdays at 10:00 p.m. |
| 1969–1970 | |
| 1970–1971 | |
| 1971–1972 | Sundays at 6:00 p.m. |
| 1972–1973 | Fridays at 9:00 p.m. |
| 1973–1974 | Sundays at 10:30 p.m. |
| 1974–1975 | Sundays at 10:00 p.m. |
| 1975–1976 | Sundays at 7:00 p.m. |
| 1976–1977 | |
| 1977–1978 | |
| 1978–1979 | |
| 1979–1980 | |
| 1980–1981 | |
| 1981–1982 | |
| 1982–1983 | |
| 1983–1984 | |
| 1984–1985 | |
| 1985–1986 | |
| 1986–1987 | |
| 1987–1988 | |
| 1988–1989 | |
| 1989–1990 | |
| 1990–1991 | |
| 1991–1992 | |
| 1992–1993 | |
| 1993–1994 | |
| 1994–1995 | |
| 1995–1996 | |
| 1996–1997 | |
| 1997–1998 | |
| 1998–1999 | |
| 1999–2000 | |
| 2000–2001 | |
| 2001–2002 | |
| 2002–2003 | |
| 2003–2004 | |
| 2004–2005 | |
| 2005–2006 | |
| 2006–2007 | |
| 2007–2008 | |
| 2008–2009 | |
| 2009–2010 | |
| 2010–2011 | |
| 2011–2012 |
The format of 60 Minutes consists of three long-form news stories, without superimposed graphics. There is a commercial break between two stories. The stories are introduced from a set which has a backdrop resembling a magazine story on the same topic. The show undertakes its own investigations and follows up on investigations instigated by national newspapers and other sources.
Many stories center on allegations of wrongdoing and corruption on the part of corporations, politicians, and other public officials. Said figures are commonly either subjected to an interview, or evade contact with the 60 Minutes crew altogether, either by written notice or by simply fleeing from the approaching journalist and his camera crew. Instead of summarizing an interview or providing direct commentary on an issue, 60 Minutes prefers to air the interview itself. When the subject is hiding a secret, the viewers witness the evasion directly.
The show also features profiles. The profiles are often of celebrities and offer up a biography of the figure, focusing upon the celebrity's early life story, obstacles, and choices, rather than offering a simple publicity platform. Non-celebrity profiles usually feature a person who has accomplished a heroic action or striven to improve the world.
Occasionally, if a celebrity has written a book or has a current film in release, the segment featuring them will also promote the book or film. However, the celebrity in question will always be profiled in detail, and never appears on the show simply to promote his or her product.
In tone, 60 Minutes blends the probing journalism of the seminal 1950s CBS series See It Now with Edward R. Murrow (a show for which Hewitt was the director its first few years) and the personality profiles of another Murrow program, Person to Person. In Hewitt's own words, 60 Minutes blends "higher Murrow" and "lower Murrow."
For most of the 1970s, the program included the Point/Counterpoint segment in which a liberal and a conservative commentator would debate a particular issue. This originally featured James J. Kilpatrick representing the conservative side and Nicholas von Hoffman for the liberal, with Shana Alexander taking over for von Hoffman after he departed in 1974. Although discontinued in 1979, when Andy Rooney, who had previously left the show with Harry Reasoner in 1970, returned to offer commentary, the segment was an innovation that caught the public imagination as a live version of competing editorials. Point/Counterpoint was also lampooned by the NBC comedy series Saturday Night Live, which featured Jane Curtin and Dan Aykroyd as debaters, with Aykroyd typically beginning his remarks with, "Jane, you ignorant slut", in the motion picture Airplane!, in which the faux Kilpatrick argues in favor of the plane crashing, and in the earlier sketch comedy film by the same directors, The Kentucky Fried Movie, where the segment was called "Count/Pointercount".
A similar concept was revived briefly in March 2003, this time featuring Bob Dole and Bill Clinton, former opponents in the 1996 presidential election. The pair agreed to do ten segments, which were called "Clinton/Dole" and "Dole/Clinton" in alternating weeks, but did not continue into the fall television season. Reports indicated that the segments were considered too gentlemanly, in the style of the earlier Point/Counterpoint, and lacked the feistiness of Crossfire.[11]
From 1978-2011, the show usually ended with a (usually light-hearted and humorous) commentary by Andy Rooney expounding on topics of wildly varying import, ranging from international politics, to economics, and to personal philosophy on every-day life. One recurring topic was measuring the amount of coffee in coffee cans.[12] Rooney's pieces, particularly one in which he referred to actor Mel Gibson as a "wacko," on occasion led to complaints from viewers. Rooney published several books documenting his contributions to the program, the best known of which are probably "Years Of Minutes" and "A Few Minutes With Andy Rooney".
Rooney retired from 60 Minutes, delivering his final commentary on October 2, 2011. It was his 1,097th commentary over his 33-year career on the program. He died November 4, 2011, one month after his final broadcast.
The opening sequence features a 60 Minutes "magazine cover", with the signature Aristo stopwatch intercut with preview clips of the episode's stories. The sequence ends with each of the current correspondents and hosts introducing themselves. The last host who appears then says, "Those stories and Andy Rooney, tonight on 60 Minutes", followed by a final shot of the stopwatch. Before Rooney became a prominent fixture, and on days when he does not appear, the final line is "Those stories and more".
The show is the first regularly scheduled television program in American television history to have never used theme music. The only theme sound is from the stopwatch in the opening title credits, before each commercial break, and at the tail-end of the closing credits.
On Sunday, October 29, 2006, the opening sequence changed from a black background to white. The black background had been used for over a decade. Also, the gray background for the Aristo stopwatch in the "cover" changed to red, the color for the title text changed to white and the stopwatch itself changed from its decade-old diagonal position to an upright position.
Videos and transcripts of the show, as well as clips that did not make it to the broadcast have been available on the show's web site for several years prior to 2010. Beginning September 2010, the show launched a web site called "Sixty Minutes Overtime", in which stories broadcast on the air are discussed in further details above and beyond the broadcasted content.[13]
CBS has launched a 60 minutes for iPad app which allows users to not only watch 60 minutes on their iPad, but it gives access to some of 60 minute's archival footage. CBS claim their 60 minute app to be, “one of the most robust archival offerings via iPad today”. However, they are being criticised for the apps price considering current content can be viewed online for free.
Hosts as of 2011[update]:
Part-time correspondents as of 2012[update]:
Past hosts:
Past part-time correspondents:
Commentators for 60 Minutes have included:
Based on ratings, 60 Minutes is the most successful broadcast in U.S. television history, since it was moved into its present timeslot in 1975. For five of its seasons it has been that year's top program, a feat matched by the sitcoms All in the Family and The Cosby Show, and surpassed only by reality TV show American Idol, which has been the #1 show for six consecutive seasons. 60 Minutes was a top ten show for 23 seasons in a row (1977–2000), an unsurpassed record.[16]
60 Minutes first broke into the Ratings Top 20 during the 1976–77 season. The following season it was the fourth-most-watched show, and by 1979–80, it was the number one show.[16] During the 21st century it remains among the top 20 programs in the Nielsen ratings, and the highest-rated news magazine.[17]
As of September 26, 2011, 60 Minutes had won a total of 95 Emmy Awards,[16] a record unsurpassed by any primetime show on any network. [16][18]
The show won Peabody Awards for the segments "All in the Family", an investigation into abuses by government and military contractors; "The CIA's Cocaine", which uncovered CIA involvement in drug smuggling; "Friendly Fire", a report on incidents of friendly fire in the Gulf War; and "Duke Rape Suspects Speak Out", the first interviews with the suspects in the 2006 Duke University lacrosse case.[19] and "The Killings in Haditha," an investigation into the killing of Iraqi civilians by U.S. Marines.
The show received an Investigative Reporter and Editor medal for their segment "The Osprey", documenting a Marine coverup of deadly flaws in the V-22 Osprey aircraft.
In 1983, a report by Morley Safer, "Lenell Geter's in Jail," helped free from prison a Texas man who was wrongly convicted of armed robbery.[20]
The show currently holds the record for the longest continuously running program of any genre scheduled during American network prime time; it has aired at 7 p.m. Eastern Time Sundays since December 7, 1975. The longer-running Meet the Press has also aired in prime time, but currently airs during the daytime, as it has for most of its history. The Walt Disney anthology television series, which premiered in 1954, and the Hallmark Hall of Fame, which has aired since 1951, have aired longer, but none of them has aired in prime time continually, as 60 Minutes has done.
The show has been praised for landmark journalism and received many awards. However, it has also become embroiled in some controversy, including:
On November 23, 1986, 60 Minutes aired a segment greenlit by Don Hewitt, concerning the Audi 5000 automobile, a popular German luxury car. The story covered a supposed problem of "unintended acceleration" when the brake pedal was pushed, with emotional interviews with six people who sued Audi (unsuccessfully) after they crashed their cars, including one woman whose six year old boy had been killed. Footage was shown of an Audi 5000 with the accelerator moving down on its own, accelerating the car, after an expert witness employed by one of the plaintiffs modified it with a concealed device to cause it to do so.[21] Independent investigators concluded that this was most likely due to driver incompetence, where the driver let their foot slip off the brake and onto the accelerator. Tests by Audi and independent journalists showed that even with the throttle wide open, the car would simply stall if the brakes were actually being used.[22]
The incident devastated Audi sales in the United States, which did not reach the same level for another fifteen years. The initial incidents which prompted the report were found by the National Highway Traffic Safety Administration and Transport Canada to have been attributable to operator error, where car owners had depressed the accelerator pedal instead of the brake pedal. CBS issued a partial retraction, without acknowledging the test results of involved government agencies.[23]
Years later, Dateline NBC, a rival to 60 Minutes, was found guilty of similar tactics regarding the fuel tank integrity of General Motors pickup trucks.
In February 1989, 60 Minutes aired a report by the Natural Resources Defense Council claiming that the use of daminozide (Alar) on apples presented an unacceptably high health risk to consumers. Apple sales dropped and CBS was sued unsuccessfully by apple growers.[24] Alar was subsequently banned for use on food crops in the U.S. by the Environmental Protection Agency (EPA).
On March 12, 2000, 60 Minutes aired an interview with Oklahoma City bomber, Timothy McVeigh. At the time, McVeigh had already been convicted and sentenced to death for the bombing and subsequent death of 168 people. On the program McVeigh was given the opportunity to vent against the government.[25] Following the program, a federal policy called the Special Confinement Unit Media Policy was enacted prohibiting face-to-face interviews with death row inmates.[26] This policy was later subject to a legal challenge but was ultimately upheld by the United States Supreme Court in March 2010.
On March 3, 1991, 60 Minutes broadcast an episode titled "Werner Erhard". The program dealt with controversies involving Werner Erhard's personal and business life. One year after the 60 Minutes piece aired, Erhard filed a lawsuit against CBS, claiming that the broadcast contained several "false, misleading and defamatory" statements about Erhard. One month after filing the lawsuit, Erhard filed for dismissal.[27] Erhard later told Larry King in an interview that he dropped the suit after receiving legal advice telling him that in order to win it, it would not be sufficient to prove that CBS knew the allegations were false, but that he would also need to prove that CBS acted with malice.[28] Because of factual inaccuracies, the segment was later removed by CBS from its archives, with this disclaimer: “This segment has been deleted at the request of CBS News for legal or copyright reasons.” [29]
In 1995, former Brown & Williamson Vice President for Research and Development Jeffrey Wigand provided information to 60 Minutes producer Lowell Bergman that B&W had systematically hidden the health risks of their cigarettes. (See transcription.) Furthermore, it was alleged that B&W had introduced foreign agents (glass fibers, ammonia, etc.) with the intent of enhancing the effect of nicotine. Bergman began to produce a piece based upon the information, but ran into opposition from Don Hewitt who, along with CBS lawyers, feared a billion dollar lawsuit from Brown and Williamson for tortious interference for encouraging Wigand to violate his nondisclosure agreement. A number of people in CBS would benefit from a sale of CBS to Westinghouse Electric Corporation, including the head of CBS lawyers and CBS News. Also, because of the interview, the son of CBS President Laurence Tisch (who also controlled Lorillard Tobacco) was among the people from the big tobacco companies at risk of being caught having committed perjury.
Because of the hesitation from Hewitt, The Wall Street Journal instead broke Wigand's story. The 60 Minutes piece was eventually aired with substantially altered content, and was missing some of the most damning evidence against B&W. The exposé of the incident was published in an article in Vanity Fair by Marie Brenner, entitled The Man Who Knew Too Much.[30] The New York Times wrote that "the traditions of Edward R. Murrow were diluted in the process,"[31] though the movie revised the quote slightly, suggesting that 60 Minutes and CBS had "betrayed the legacy of Edward R. Murrow." The incident was turned into a seven-times Oscar-nominated feature film entitled The Insider, directed by Michael Mann and starring Russell Crowe as Wigand, Al Pacino as Bergman, and Christopher Plummer as Mike Wallace. Wallace denounced the portrayal of him as inaccurate to his stance on the issue.
60 Minutes alleged in 1997 that agents of the U.S. Customs Service ignored drug trafficking across the Mexico – United States border at San Diego.[32] The only evidence was a memorandum apparently written by Rudy Camacho, who was the head of the San Diego branch office. Based on this memo, CBS alleged that Camacho had allowed trucks belonging to a particular firm to cross the border unimpeded. Mike Horner, a former Customs Service employee, had passed the memos on to 60 Minutes, and even provided a copy with an official stamp. Camacho was not consulted about the piece, and his career was devastated in the immediate term as his own department placed suspicion on him. In the end, it turned out that Horner had forged the documents as an act of revenge for his treatment within the Customs Service. Camacho successfully sued CBS for an unknown settlement, and Don Hewitt was forced to issue an on-air retraction.[33]
A legal battle between archaeologists and the Umatilla tribe over the remains of a skeleton, nicknamed Kennewick Man, was reported on by 60 Minutes (October 25, 1998), to which the Umatilla tribe reacted very negatively. The tribe considered the segment heavily biased in favor of the scientists, cutting out important arguments, such as explanations of Native American Graves Protection and Repatriation Act.[34] The report focused heavily on the racial politics of the controversy and also added inflammatory arguments, such as questioning the legitimacy of Native American sovereignty[35] – much of the racial focus of the segment was later reported to be unfounded or misinterpreted.[36]
In recent years the show has been accused of promoting books, films, and interviews with celebrities who are published or promoted by sister businesses in the Viacom media conglomerate (2000–2005), without disclosing the journalistic conflict-of-interest to viewers.[37]
In the episode "The Internet Is Infected" (March 29, 2009) SecureWorks' Don Jackson, a data protection professional, is interviewed. Jackson himself declares in the program that: "A part of my job is to know the enemy". However, during the interview, Jackson shows a photo of Finnish upper level comprehensive school pupils and falsely identifies them as notorious Russian hackers.[38]
In the photo, one of the children is wearing a jacket with the Coat of Arms of Finland on it. Another one is wearing a cap which clearly has the logo of Karjala, a Finnish brand of beer, on it. The principal of the school in Taivalkoski confirmed that the photo was taken about five years ago at the school.[39]
The photo's exact origins are unknown, but it's widely known in Finland, being originally posted to a very popular Finnish social networking site, IRC-Galleria, in the early 2000s (decade). From there, due to its partly humorous radical right content, it spread all over Finnish internet communities and even originated a couple of patriotically titled (but intentionally misspelled) mock sites.[39][40]
60 Minutes did issue a correction and on-air apology.
The main 60 Minutes show has created a number of spin offs over the years.
This newsmagazine was patterned after 60 Minutes and it was aimed at children. It aired as the final program in CBS's Saturday morning lineup from 1978-1982. It was hosted by Christopher Glenn (who also was the voice over the min program In the News and was a anchor on the CBS Radio Network), along with Betsy Aaron (1978–1980) and Betty Ann Bowser (1980–1982)
60 Minutes More was a spin off that ran for a single television season during 1996 and 1997. The episodes featured popular stories from the past that were expanded with updates on the original story. Each episode featured three of these segments.[41]
In 1999, a second edition of 60 Minutes was started in the U.S., called 60 Minutes II. This edition was later renamed 60 Minutes by CBS for the fall of 2004 in an effort to sell it as a high-quality program, since some had sarcastically referred to it as 60 Minutes, Jr. CBS News president Andrew Heyward said, "The Roman numeral II created some confusion on the part of the viewers and suggested a watered-down version".[42] However, a widely known controversy which came to be known as "Rathergate", regarding a report that aired September 8, 2004, caused another name change. The show was renamed 60 Minutes Wednesday both to differentiate itself and to avoid tarnishing the Sunday edition, as the editions were editorially independent from one another. The show reverted to its original title with Roman numerals on July 8, 2005, when the show moved to a Friday night 8pm ET time slot to finish its run. Its last broadcast was on September 2, 2005.
In 2011, CNBC started airing a 60 Minutes spin-off of its own, called 60 Minutes on CNBC. Hosted by Lesley Stahl and Steve Kroft, it airs updated business reports from the original show and offers footage that the original broadcasts didn't have.
For the 60 Minutes 25th anniversary in 1993, Charles Kuralt interviewed Don Hewitt, the active correspondents, some former correspondents, and revisited notable stories and celebrities. This was later released commercially.
The Australian version of 60 Minutes premiered on 11 February 1979. It still airs each Sunday night at 7:30pm on the Nine Network and affiliates.
Reporter Richard Carleton suffered a heart attack on 7 May 2006. He asked a question at a news conference for the Beaconsfield Mine collapse, then walked out and suffered cardiac arrest. Paramedics tried to revive him for 20 minutes until an ambulance arrived, but was pronounced dead on arrival.
Although they have the rights to the format, as of 2007 they do not have rights to the US stories. Nevertheless, they often air them by subleasing them from Network Ten. In 1980 60 Minutes won a Logie Award for their investigation of lethal abuses at Chelmsford psychiatric hospital in Sydney. On 16 September 2007, the Australian 60 Minutes did a segment on French sport Parkour, which showcased famous traceurs Rhys James and Shaun Woods.
In the mid-1980s, an edited version (approx. 30 minutes in length) of the U.S. broadcast edition of 60 Minutes was shown for a time on West German television. This version retained the English-language soundtrack of the original, but also featured German subtitles.
The New Zealand version of 60 Minutes has aired on national television since 1989, when it was shown on TV3. In 1992 the rights were acquired by TVNZ, who began broadcasting it in 1993. The network aired the program for nine years before dropping it in 2002 for its own program, entitled Sunday. Sunday is currently the highest rating current affairs show broadcast on New Zealand television, followed by 20/20. 60 Minutes is now broadcast by rival network TV3.
The Portuguese version of 60 Minutes airs on SIC Notícias and is hosted by Mário Crespo.
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